The movie follows the last days of Kanji Watanabe, a petty bureaucrat working in the same dusty office for the past 30 years, who is suddenly diagnosed with terminal stomach cancer. Facing death, Kanji attempts to truly live, for a first time after all these years of monotonous and meaningless existence. And he decides to fight the bureaucratic system that has provided him with numbing comfort over the decades, in order to finally get something done – a small public children’s park – that would become his legacy to the world.
In Ikiru, bureaucracy is portrayed as the epitome of meaningless work and the anti-thesis of life itself. The piles of papers in Watanabe’s office have crowded out all joy and purpose. They threaten to fall any moment and crush the protagonist, after having consumed his soul already.
“Busy, always so very busy. But in fact this man does absolutely nothing at all, other than protecting his own spot. The best way to protect your place in the world, is to do nothing at all. Is this really what life is all about?”